Wednesday, February 01, 2012

Innovative organizational tip and stalking the wild O'Brien


In an effort to streamline operations here at the Offices of Erin O'Brien, I've removed all the sticky notes from my computer face (that date as far back as a year [well ... I think that far, there're not dated]) and adhered them to a notebook page. By doing so, I will clearly be able to complete the tasks so meticulously outlined on each square (I don't know what half of the notes mean and cannot read the other half). Feel free to employ this method in your own administrative life.

In perhaps a more industrious use of my time, I've also created a public calendar listing my readings, signings and events and posted a link to it right over there near the top of the right-hand side bar for reference.

Here are the events so far:

Feb 2: An Irish Hungarian Book Launch, Local Girl Gallery, 7 p.m. with a reading at 8 p.m.

Feb 8: Radio spot, Around Noon with Dee Perry, WCPN 90.3, Northeast Ohio, listen live or online at 12 p.m. EST or download the podcast anytime after the airdate.

March 24: An Irish Hungarian reading and signing, Mac's Backs, 7 p.m.

March 31: Workshops, The 21st Annual Western Reserve Spring Writers’ Conference, Lakeland Community College.

Here is the first bit of feedback I've received from a reader who downloaded the Kindle version from Amazon, read it cover to cover and sat down to send me this.

I couldn't help myself. I just preordered ten copies of your book to give to friends ... Thank you for creating this perfect book so that I can unexpectedly gift them to friends that will enjoy it immensely.

Wow. Stay tuned, boppers.

* * *

Tuesday, January 31, 2012

Upon a bed of roses

Up until just a few days ago, your humble hostess had never laid herself down to sleep upon a new mattress. Ever.

Each of the beds I have occupied were either handed over, under or down. In my mid-teens, I graduated from a single bed of unknown origin to a full that had previously serviced the guest room. As for the history of that bed, I have no idea; but a move to the guest room is surely a demotion in the life of any mattress.

Serta sales representative
In those days, my parents hosted frequent and notorious parties and the guest room bed was often piled with coats and wayward guests with dubious intentions (they were probably lined up outside the door--this was the 70's for chrissake). Hence by the time I inherited the mattress, it was duly humped into submission, but I soldiered on undaunted and eventually moved out, weary bed set in tow. As for its employ during my single years: thank god mattresses don't talk. That bed endured through all of that and the first few tender years of holy matrimony with the Goat.

Then one day while blinking at the ceiling next to my dearly beloved, the extent of the sunken depression that cradled our bodies moved me to action.

"Honey," I said, "let's change out our bed with the guest room bed."

Portable Serta representative
Our "guest room bed" had been the Goat's bed during his bachelor days. One would normally associate its "economy" with a roadside motel and the last occupant's lingering cloud of Aqua Velva. So it went with another atrocious mattress for four or five years until the Goat's parents purchased a new bed set and did we want their old one, which was a top-of-the-line-Sealy-when-we-bought-it or should they just throw it out even though it's practically like new?

Um, okay. Sure. Thanks. And the Goat and I did deliver unto that bed twelve more years of experience.

Detail from Judy O'Brien original Jane Avril quilt, which now graces Lil' OB's bed.

Now for a sidebar: Save for one uniquely stunning bed ensemble that was inspired by Toulouse-Lautrec's muse Jane Avril, and that my mother designed and hand stitched, all of the bed linens associated with this sad, sad tale were (of course) mismatched, handed-down, purchased on sale, or from the "seconds" bin.

Good Christ.

Cut to a few weeks ago. Once again, I lay blinking at the ceiling next to my splendid king. Wrapped in threadbare sheets and pilled blankets, our bodies were barely suspended by the beleaguered and creaky springs beneath us.

"Honey," I said at the advance age of 46 and with nearly 20 years of marriage behind me, "we're buying a new bed." He didn't argue.

New bed of Goat and humble hostess as displayed by portable Serta representative
I shall not include the litany of traumas one encounters while shopping for the components of a complete bed ensemble in this already exhaustive account. I did, however, wholly adore the two mattress delivery men who were so beautifully matched to their chosen careers, it nearly brought tears to my eyes and earned them each a ten-spot for their superlative service.

Enter karma, six degrees of separation gone bad, kismet, irony, poetic justice, or whatever you want to call it; sometimes just deserts come in blossoms of two: one white, one black. For I surely deserved that lovely new bed and all the trimmings, but did I deserve what comes next? Let the reader decide.

The lush bed that moved the Goat and me as we lay upon it in the showroom in our jeans and coats,with my head resting on his torso and the saleswoman giggling at my quips, comes by way of my sworn enemy. Must I type his name? No matter, I shan't.

Behold the acrimonious details of our relationship at your own risk.

Sleeping with the enemy indeed.

Woeful label detail from humble hostess's new mattress

Sunday, January 29, 2012

Let there be Kindle


Dear Fellow Earthlings,

The Kindle version of The Irish Hungarian Guide to the Domestic Arts, which is authored by your humble hostess--the Irish Hungarian herself--is now available on Amazon. Within it's electronic pages, you will learn the mystifying story behind today's graphic.

The hard copy version should be available shortly. Thank you for your continued support.

Love, Erin

* * *

Thursday, January 26, 2012

The trouble with money

I'm not one for pithy phrases, but sometimes they stick. This one for instance:

When you do something for the money, all you have is the money.

Last month, Warren Olney did a show focusing on today's wealthy class and how different it is from the wealthy class of just a few decades ago, when you made a good widget and built a small empire around it. I know two men who did just that. One started manufacturing paper tubes, the other packaging products. They worked hard producing superior items. They employed good-sized staffs. They succeeded and reaped the financial reward. Everything about these men was solid, including their money.

Today's wealthy class are anything but solid. Most make nothing other than money. They have ten- or one-hundred fold more than what was considered old school wealth. And if you listen to Olney's show, you'll learn that they lose it very easily and that taxing them is hardly a reliable income source.

I don't deny anyone a career in the financial industry, but at some point money becomes obscene. Venture capitalists make one thing: money. And judging by Romney's squirming over tax returns, I'll bet he's made an awful lot of it.



I have no idea what will become of Romney, but avarice is a deadly sin for a reason.

Writing does not pay much, but it is my craft. I strive to make it the best it can be. Sometimes my writing shines and sometimes it doesn't. When I write on this blog I don't get paid a dime, but when I get it right and produce something that lifts or energizes or enlightens you, it does the same for me.

And something of value is born

*  *  *

Tuesday, January 24, 2012

Phone cam round-up

Gently used torsos and chairs at Annie's.

I do not miss smoking. I do miss ashtrays, the glorious garish ashtrays.

Chocolate Buddha.

Model for chocolate Buddha.

Socialist infiltrator on the road.

Corned beef hash at Dee's Diner? HELL YES.

Special erf submission from a member of the readership.

Undieville and striped thingies.

Plastic protected mailbox.

Mall plant failure.

Kissing flamingo glasses.

Got the plans right here, boss.

Smoke croak.

Face and no, I don't know who it is.

* * *

Monday, January 23, 2012

Diamonds

To make diamonds, you'll need water and sun, both of which are always available, but diamonds are rare nonetheless. Unless of course they're abundant.

Enter clouds.

Clouds are the keepers of the diamonds. The sun will be up there, being his regular sun-self and filling an ocean with dazzles or turning a snowy mountaintop into a glittering treasure. Then your clouds come along and put the kibosh on the whole party.

You can't buy diamonds.

Fortunately, clouds are fickle and short-minded. They never stay in one place for too long unless there's a whole bunch of them and then they positively take over--mob-mentality on a celestial level if you will. The miserable lot of them hang up there in the sky like some sort of beasty monolith, keeping the sun on one side and the water on the other. No diamonds for anyone.

Don't get too angry with them, though. They're only doing what they do best and frankly, without them we'd never get any snow or water or ice to make diamonds in the first place.

I keep talking about making diamonds. Yeah, right. As if we have any control over diamond production. We don't. Can't make one diamond to save our lives. Welcome to the human condition.

Sheesh.

Here's the thing: Sometimes you can have sunshine like all get out and as much snow (or water or ice) as you ever saw and there won't be one diamond in sight. Hence, you never want to take diamonds for granted.


(shhh ... come and let me whisper in your ear: this is the real magic. these are the things no one is telling you.)


* * *

Friday, January 20, 2012

The National City Bank Building

For this week's fresh water, I've written a story about Rosetta, a cutting edge marketing company.

What sets Rosetta's Cleveland office apart is that last year, it eschewed it's suburban digs and now calls the downtown National City Bank Building home. The structure hails back to the 1890's, when architects Shepley, Rutan and Coolidge designed the original building, part of which is now occupied by a Holiday Inn Express (ughville on the awning, dudes). A major addition about 30 years later makes the NCB sort of an odd historic complex, stretching around the block bordered by Euclid Ave., E. 6th St. and Short Vincent.

Here are some pix, taken in and around the building. For the record, Rosetta's offices are far above all of this. You can see their posh penthouse lounge peeking from the rear of the complex in the last pic in this series. Hop over to the article to see my buddy Bob Perkoski's pix of Rosetta's sleek offices.











For more of downtown Cleveland's architectural eye candy, here are three don't-miss clicks: the Huntington Bank Building, the Cleveland Public Library's Main Branch and the Cuyahoga County Court House.

~~Loves Cleveland~~

* * *

Thursday, January 19, 2012

O'Brien redux


Yes, I got my hair cut. Gone is the giant Erin Hair, with this new do in its place.

Apparently, I had enough hair for myself and then some. The stylist cut these four ponies off to donate to someone who needs some hair. The locks looks sort of sad and amputated.


Bye, hair.

It's weird to think that someone will be walking around wearing my hair. They will not know that I used to use the ends of a tendril to torture the Goat by tickling his nose and ear as he lay half asleep next to me.

Sometimes my long hair would get in the way of close interpersonal contact with the Goat.

"You're on my hair!"

I won't miss that.

Anyway, if you see someone walking around wearing my hair, say, "Hey man, that's some nice hair!" It'll sort of boost the good karma of the planet all the way around.

This post is done.

* * *

Wednesday, January 18, 2012

Ghosts

Short Vincent, April 1967 during a George Wallace protest.
Courtesy of CSU's Michael Schwartz Library, special collections. Click to Enlarge.

An excerpt from an entry I posted last March:

... The Theatrical was a legendary club on Short Vincent. It was big and brash with a huge kidney shaped bar that surrounded an elevated stage. The club was housed in one cavernous room, with tables and booths flanking that incredible bar. Giant figures graced the two-story walls: demure chicks in hoop skirts and devilishly exaggerated harlequin men lunging for them. There was a coat check. Attendants in the ladies' lounge handed you a towel and made sure the bottles of hand cream and cologne were properly arranged.

During college breaks, I pushed beers at a weird little joint called the Park Pub in the basement of what is now Reserve Square apartments. I used to go braless and wear cute little outfits with high heels in order to garner better tips (sometimes it worked, sometimes it didn't). When my shift was over I would occasionally sashay over to the Theatrical to meet a friend or wait for my ride. The bar proper had four sections, each serviced by a regular bartender who was as legendary as the Theatrical itself. Everyone had their favorite. I always sat in Jim's section. I'd settle in as he'd straighten from his perfect bar lean, amble over and snap open his Zippo to light my Marlboro before pouring me a big icy tumbler of Canadian Club and soda.

"Hey Jim, can I have a paper and pencil?"

"Sure thing, girlie."

I'd jot down, Girl from Ipanema? then hand it to Jim, who would in turn deliver it to the house pianist, who, if he had no other requests pending, would stop in the middle of whatever he was playing and start playing "Girl from Ipanema."

On his break, the pianist (whose name I am purposefully omitting) would ask me to dance. We'd step onto the dance floor and start swaying to and fro. He wasn't terribly attractive, but his sexuality was unmistakable as his cologne wafted between us. The fabric of his suit against my chin felt formal and expensive. When he'd pull me close, I'd look up into his eyes.

"Your lips are less then an inch from my own," he once remarked.

Perhaps not surprisingly, he would become aroused during these interludes, which were as pure and erotic as anything I can recollect. He would push hard into my torso as we moved ever-so-slowly against one another. He never once kissed me.

That's what it was like. Back then. At the Theatrical. In Cleveland.

* * *

So that's what I wrote last March. Yesterday, I was taking photos on Vincent. The Theatrical's a parking lot now.


Yeah, yeah. You go on ahead and charge your $12.50 a day. I'll take the memories.

* * *

Sunday, January 15, 2012

Dear Tim Tebow,

First off, let me come clean: you could write what I know about football on one square of toilet paper.

Gram Soos knew cute buns.
I know the football is the oblong brown one with the two white circle/stripes and that my Gram Soos used to say that football players had "the cutest little buns" (usually accompanied by the assertion that "it's a well known fact that body-builders are not well-endowed").

I don't know about your buns or whether or not they are cute (they probably are, Gram Soos knew some stuff). I do know you're A-list football, A-list God Squad, and that you do some kneel/pray thing that your other God Squadders dig, which brings me to the point of this correspondence.

I think you can see that gassing on too loudly about your God Squadliness can get you into trouble. Because today while everyone's talking about how the Lord helped get you as far as you got, they're thinking that it wasn't quite far enough.

Just an aside question: Is Newt Gingrich a dead ringer for BamBam Rubble all grown up and then some (with a bad case of gout), or what?


Oops. Sorry about that. Hard to stay focused, what with the Righties so worried about who you're going to endorse and all. Well ... maybe they're not quite as worried today as they were, say, yesterday.

(ouch!)

My whole point is this, Timster: God Squadliness is one of those things you probably should keep sort of quiet along with your sex life, your guns, and your money. The more you crow about some things, the further you push them away.

Once you give something power, watch out. And trust me, you're the only one who can give power to the Lord or the money or the guns or the sex.

Guess that's about enough of that. Better luck next year, kid.

Love, Erin

*  *  *

Friday, January 13, 2012

A tumblresque post

All original O'Brien eye-candy, unrelated and tossed like a salad for your Friday lunch. Click on any to enlarge. Enjoy.